
Lorimer, a leafy Watts 1874 wallpaper, covers the dining room. Designer Heidi Caillier selected a BDDW table and Hollywood at Home chairs with seats in a Namay Samay fabric. The antique rug is from FJ Hakimian, and the light fixtures are vintage.
How A Classic Seattle Home Adopted English Cottage Vibes
A well-known Maybelline advertisement pictures a model and muses “Maybe she’s born with it,” before suggesting that perhaps cosmetics could be responsible for her beauty. In a similar vein, people admiring this West Seattle home built in 1924 might assume its vintage charm is inherent. But they would be wrong, because, in the parlance of the beauty industry, the residence has had some work done.
The timeless features the dwelling now possesses were engineered by frequent collaborators architect Lauren Crocco and interior designer Heidi Caillier. Crocco was initially hired for the job by the owners, a pair of empty nesters who purchased the abode to reside closer to children and grandchildren. “They had a project on their hands,” the architect remembers. “Although the house had a vaguely Craftsman style, it didn’t have much character. What it did have was a lot of worn fixtures and finishes, a nonexistent foundation under the rear addition, and fixed windows that didn’t take advantage of the views.”
Home Details
Architecture:
Lauren Crocco, Lauren Crocco Architecture & Design
Interior Design:
Heidi Caillier, Heidi Caillier Design
Home Builder:
Grant Underwood, Underwood Fine Construction
When the owners began describing their vision of home, they talked about a place with a classic aesthetic that would embrace the family and friends they love to entertain. Crocco knew that Caillier would be the perfect collaborator to make these ideas a reality and convinced the couple to bring her on board. As the wife began showing Caillier the inspiration images she had collected, the designer felt it would be a good working relationship. “The ideas resonated with me,” she says. “The owner is drawn to the kinds of elements I love—classic details and pieces that feel not new.”
Not everyone would consider a house lacking in character a positive feature, but the team, including general contractor Grant Underwood, looked at the plain dwelling as a blank slate where they could create precisely what their clients desired. The architect began by walking around the neighborhood and taking note of the traditional features on the residences there. “I was definitely influenced by the swooping dormers on the existing house and the lofty rooflines I saw on nearby dwellings,” Crocco says. “Those elements guided my thinking about the look and scale of the new home, and we were able to put our own spin on the East Coast-style architecture found in the area.” Specifically, she gave the structure large windows and a wraparound porch, allowing for light-filled interiors and dramatic views of Elliott Bay. A pair of two-story additions provide more square footage and better flow.
Inside, Caillier moved the character needle from “vaguely Craftsman” toward an English cottage look. “We started with a bold chintz pattern on the living room sofa, and that set the tone,” she says. “I love doing a patterned sofa, but some people are nervous about it. In my mind, the joy of using a pattern is seeing it, and a sofa gives you a large field to make a full print statement.” The floral textile is just the opening note—it’s backed up by a rug with a geometric motif and an armchair in striped upholstery.

In the living room, bold chintz upholstery by Watts 1874 makes a statement on the sofa. Below the Richard Taylor Designs chandelier is a Robin Myerscough Studio coffee table and a rug from FJ Hakimian.
A similar visual play enlivens the dining room, where a leafy Craftsman-style wallcovering backdrops chairs with woven rattan backs and patterned upholstered seats set atop another flat-weave rug with a rustic print. “The client allowed us to be adventurous with color and texture,” Caillier says. “It makes the home inviting.”
The designer’s favorite room in the house is the kitchen, a space that Crocco took down to the studs and clarified by eliminating awkward angles. “When assembling this room, I had the look of traditional British kitchens in mind,” Caillier says. That aesthetic starts on the floor, where she commissioned a decorative artist to paint a checkerboard of creamy squares, allowing the natural wood color to shine through in every other space on the grid for warmth. The wood tone is echoed in the beams overhead. Classic inset cabinets painted a muted blue color and accented with aged-brass hardware surround an island standing on furniture-like legs.
Serving double duty, the combined office-guest room houses the wife’s desk and workspace as well as a twin-sized bed enveloped in curtains and perched beneath a window. “The bed is for the grandkids, and we included a nook at the foot of it for books,” Caillier says. “When the children come to visit and pull the drapes, it becomes a magical place for a sleepover.”
Throughout the home, the pieces outfitting each space don’t explicitly match, and that’s on purpose. “This is a house where it appears that elements came together over time,” Caillier says. “The effect is spaces that are gracious and welcoming.” It’s the kind of beauty that’s more than skin deep.

Delicate lighting, including the Rose Uniacke sconce above the vintage artwork and Felix Lighting Specialists flush-mount fixture, illuminates the kitchen. Surrounding the Aga range is a green Devol tile backsplash.